The Round Up Tapes // Submission Edition Volume II

That whole thing where I promised to be more active with this kinda failed but here’s a couple of cool releases that you might find interesting.

Circaic – False Prophetic Roads

CIRCAIC_COVER

If you like huge, technical death metal with a side of melody then Circaic might be the band for you. Melding the darkness with the light isn’t a new tactic, but Circaic’s stab at melodic death metal is solid and will see them on their way to something bigger. False Prophetic Roads still has a hint of immaturity about it – some sections in the opening track “The Spewing of Venom” don’t quite hit the mark or flow as well as they could with the kind of cohesion you’d want to hear – but the young band have something here to be worked on and occasionally there’s a little hint of what that could be.

You can hear some tracks from False Prophetic Roads on their bandcamp page.

Read More »

The Round Up Tapes // The Finality of 2014 Edition

2015 is upon us and I’m still trying to lock down things from last year. I have been terribly lax but my main resolution for this year is to keep up with the blog and with things people have kindly sent my way. These five releases are ones which have crossed my e-desk in the latter stages of 2014 and ones which deserve a little shouting about.

Atrum Tempestas – Néant

atrum

Atrum Tempestas tow a melancholy line on their first full length and Néant whispers with the pain of loss and the cold, harsh landscapes of winter are felt quite strongly throughout the desolate gaze of this record. “Quitter ceux qui étaient déjà partis” begins the album on a majestic and grand scale with the track floating on soft moments of sadness, bitter inflections of guitar and frost-filled vocals before “S’éclipser” moves into view with shimmering iciness and rasping, hoarse voices. The duo behind this Finnish project have created a record that, at times, is really wonderful yet it suffers a tad in terms of cohesion. Strong DSBM sections are matched by gorgeous guitar progressions that speak of hopelessness and sorrow which gives an emotional aspect and an aura of misery that Atrum Tempestas will do well to incorporate into future releases. Néant struggles a little in its closing moments and while the piano section is certainly beautiful, the way it has been worked through the music is jarring at best. Still, Néant is an excellent start for the band, and with time and work they could become something much more than that what we hear here – indulge in any case, for Atrum Tempestas are worth watching.

Read More »

The Round Up Tapes // 2014 Was Bleak Edition

This third edition of The Round Up Tapes features a couple of records I really enjoyed this year that are particularly bleak in sound and/or aesthetic. Because that’s the MO of this blog and who doesn’t like to feel bleak now and then?

Black Autumn – Losing The Sun

RWE006

Black Autumn have been featured on Bleak Metal once before, when the wonderful The Advent October was released at the beginning of 2013. That EP was very much a favourite of last year and so when a full length arrived, excitement abounded. Losing The Sun follows its predecessor in that the melancholy rhythms and soft touches of light filter through the darkness of the sound, yet the record also steps up and forward in terms of the emotional response that is elicited from the listener.

“Losing The Sun” begins the album with huge, sweeping guitar movements that give way to M. Krall’s rasping voice and echoing passages that create a tangible sense of deep, mournful regret. The softer edges of this first track are soon ravaged by the harsh tones of “St Elm’s Fire” that signal its approach. Those hard moments are countered by sorrowful guitar lines that cascade into the song and lift it past just being a wallowing, sadness-filled pit of despair and instead into music that  provokes and intrigues.

This one man project brings much to the black metal table in the music that is created as Black Autumn. Gorgeous instrumentation moves across the work as a whole with the piano sections in particular giving a stately grace to “From Whence We Came” and in turn the song breathes with a measured acceptance that the journey is full of pain and heartache. The electronic pulses of “The Distance” shows that much beauty can be found in utter desolation and Black Autumn is a project for which this adage rings wholly true.

Losing The Sun, along with the Black Autumn catalogue, can be found on bandcamp.

Read More »

Dark Fortress + Secrets of the Moon and Schammasch // The Underworld, London 20/10/14

It’s no secret that one of my favourite discoveries this year has been Swiss band Schammasch – after being sent the record to review (which still isn’t done, oops) and then creating a snazzy two page feature on the band for Subterranea, it was pretty darn exciting to hear that they would be heading out on tour with Dark Fortress (another band who have released an incredible record this year) and German legends Secrets of the Moon. All three bands bring something different to the blackened table and to hear them play off and against each other on The Underworld’s stage is quite the treat indeed.

dark tour

Read More »

The Infernal Sea

I’ve been sitting on these releases from The Infernal Sea for a little while now and again, I must apologise for my outrageous laxness in getting something written up about this UK band. I have almost no excuses. I’ve been busy. I’ve been sick. I’ve been at work – at night. Grand Theft Auto V etc etc etc…

IMG_5419

The Crypt Sessions saw the cold light of day earlier this year while debut Call of the Augur was unleashed in 2012. The split with Disinterred that is hiding at the top there was released during the summer and features one track from The Infernal Sea which also features on The Crypt Sessions.

It has to be said that the physical product is an extremely important part of The Infernal Sea’s set up and each item has had a lot of care and attention put into its overall look and feel. Considering that the band do everything themselves, it’s very impressive indeed.

The Call of the Augumarked The Infernal Sea’s first foray into the full length and its pretty raw in nature. Vocals are blunt and coarse while the drums (James Burke) sit high in the mix and provide an interesting way into the backbone of the songs. Small samples of melody sneak into proceedings during opener “A Prayer of Cleansing” and a dual vocal on “Malevolence of our Lord” sets the band apart from other acts on the UK by giving the band a little more power and a much more interesting overall sound.

“Catastrophic Reprisals” throws a blackened death metal vibe into the mix allowing The Infernal Sea to showcase different techniques and this continues into the deeply atmospheric and dark instrumental piece “The Gathering.” The band save the best until last though, and “Ritual Incantation” traverses the black metal spectrum with gorgeous runs of melody, blasts and strikingly horrific vocal lines that are counterbalanced by an extended outro that takes in the rush of waves in the sea.

The Crypt Sessions was recorded live in the studio and the truly feral nature of the band is evident in its raw heart. The blacker side of the band seeps into this recording and so “Skinwalker” pushes along on a heady and claustrophobic beat and “The Circle Closes” continues to pulsate with a defiant and disgusting tone that is overlaid with a bile-laced vocal (Dean Lettice) that spits and convulses with a furious and filthy cadence. “Into The Unknown” pushes those two tracks to the side though with its fifteen minute long run-time and an interesting line in melody that suddenly shines through the darkness at times and takes the song past the standard black metal territory. Outrageously painful stabs of black noise permeate the heart of the song and lead it into ever more increasingly insane routes of sound and if you’re brave enough to endure a solid seven or eight minutes of intense feedback and cacophonous rage then your ears are in for a treat.

The Infernal Sea promise much with these two early works and with momentum gathering for their next full length, it won’t be long until this young UK band are a more common name on the scene.