Barshasketh // In Conversation

Last month found The Round Up Tapes exploring Barshasketh’s newest record, Barshasketh, and further to that study a conversation with Krigeist and GM was had. Below are the results of that conversation which was conducted via email.

For those not familiar, what is the history of Barshasketh? How did the band come together and how has the geographical distance that now exists affected the way the band works?

Barshasketh started off as Krigeist’s solo project over a decade ago. After he relocated to Edinburgh in 2010, he set about piecing together a lineup from local musicians, initially strictly for the purpose of playing live shows, but in time some of these live members were made permanent. Unfortunately, just as we were settling on a stable lineup, Krigeist ended up having to leave the UK in 2014 as his visa was revoked and BH, our drummer at the time, ended up leaving the band due to some rather unfortunate family issues. Undeterred by these logistical challenges, we continued to work on our music remotely and replaced BH with MK. We simply fly in members and plays shows with very minimal or non-existent preparation- as crazy as this arrangement seems, it actually works surprisingly well thanks to the discipline and dedication of each of our members in preparing the material individually.  

As it stands we’re spread across three different countries, and no two members are even based in the same city. Although it’s not always easy to do what we do, as long as we feel we’ve got something to say as a band, we’ll find a way of making things work.

Photography: Porta Atra

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The Round Up Tapes // Volume XVI

Barshasketh – Barshasketh

Originally a one-man band from New Zealand, founding member Krigeist’s relocation to Scotland brought new opportunities to enhance his music and after session members and live line-ups were solidified, Barshasketh began to take the form that we see today on their fourth full-length, Barshasketh. Stripping back their sound to that of their early days, Barshasketh are reclaiming the essence of black metal and while their music isn’t breaking down barriers or smashing genre lines, the expertise and musicianship on display here is more than solid and definitely worth multiple listens.

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The Inevitable End // 2018

This year has been incredible for music and metal in particular. Choosing records to include on a “best of” list is a personal thing and so I chose records that I enjoyed for their creativity, emotion, spirituality or message.

I did some cool things in 2018 in terms of writing and I went to some new places. Switzerland felt more like home each day. My day job in interesting and I’m learning a lot. I took lots of photographs and some will be included on an album release.

I hope to continue writing for Metal Hammer, The Quietus, Scene Point Blank and sporadically, myself in 2019 and I hope to hear a lot more exciting music.

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Devouring Star // In Conversation

Last month found The Round Up Tapes exploring Devouring Star’s The Arteries of Heresy and further to that study a conversation with Devouring Star’s founder, JL, was had. Below are the results of that conversation which was conducted via email.

Photography: Porta Atra

What was the driving force behind creating Devouring Star? What does the name mean to you?

The driving force on creating Devouring Star was the necessity for a creative platform for my concepts, it comes down to the simple fact that music was the only way of expressing these things for me and metal music in particular due to the fact that I am and was fond with it.

The name ‘Devouring Star’ is a reference to a black hole, yet it is also a metaphor for something that consumes yourself ultimately.

Do you see Devouring Star becoming an all-consuming part of your life or are you able to separate that side of yourself from the world?

No matter what, life itself is as boring as it is for everyone else, no mysticism required here. We eat, we shit, we sleep. So naturally Devouring Star isn’t a part of the daily routines. However the concepts in Devouring Star present my personal beliefs in such a way, that it is always a part of me and it is something that is separated from me unto music. Back in 2013 when Devouring Star started, has however affected my life dramatically.

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The Round Up Tapes // Volume XV

Devouring Star – The Arteries of Heresy

Finland’s Devouring Star plays with evil as theme but does so in less Satanic ways and rather explains that mankind itself is the ultimate embodiment of sin, that humans are the scourge and that religion is not the hopeful tenet that we have been led to believe.

The Arteries of Heresy is Devouring Star’s second full length and the person behind it all, JL, is using the band as a vessel of deliverance for personal enlightenment. There’s a sense that the evil that lurks within is one of primal matter and on “Procreation of Blood” the chaos is laid bare for all to see. Within the maelstrom are subtle grooves that can be latched on to in order to orientate oneself but for the most part the song, and the album as a whole, is an ode to embracing sin and taking it into yourself in order to fulfil your purpose on this earth.

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The Round Up Tapes // Volume XIV

Couch Slut – Contempt

Couch Slut aren’t taking any prisoners on their follow up to 2014s My Life as a Woman and on Contempt they continue to mine the terrifying real situations the band members have found themselves in. On first glance their music is a mind-melding mesh of noise, old school hardcore and even some nods to second wave black metal, but Couch Slut introduce increasingly off-kilter moments to create an atmosphere of dread and unnerving fury. Front-person Megan Osztrosits wraps her harsh, visceral tones around opener “Funeral Dyke” and its bizarre segues from raging punk to weirdo black metal and even a subtly beautiful riff that soars suddenly over all before fading into groove-laden guitar and screams.

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The Round Up Tapes // Volume XIII

Cavernlight – As We Cup Our Hands and Drink From the Stream of Our Ache

Cavernlight’s debut is a record wrought with absolute despair and in the five passages that make up this work, there is no hope to be found. The members are clear in their utter desperation and in As We Cup Our Hands and Drink From the Stream of Our Ache there is almost a willingness to revel in that sadness, to let it be all-consuming and to allow it to take over. Some doom holds a little light but for this Oshkosh band there is nothing at the end of the tunnel. For a debut, As We Cup Our Hands… is extremely assured; the themes run beautifully throughout and the differing elements are brought together succinctly to create a palette of darkness. Doom is the key but noise, ambient and abstract tones filter through the shadows to build an aura of claustrophobia that is unrelenting in its scope.

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The Round Up Tapes // Volume XII

Former Worlds – Photos of Eve IX – XVI

Former Worlds use differing palettes of sound to create a landscape that is ravaged by the harshness of life. Soft, spinning drones echo in the quieter moments while filth-laden sludge bears the brunt of their rage in the opposing loud passages, all within one epic, seventeen minute track. Their first release, Photos of Eve IX – XVI, showcases the quartet’s ability to turn things on a head with barely any notice, yet it’s tight and cohesive and the inclusion of Erin Severson’s voice gives them a little leverage over other bands of this ilk.

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