Vol.II

May 5, 2024May 5, 2024 CherylLeave a comment

Thank you, to those who read the first part of this review. For those still with me, here is the second.

Saturday

Saturday begins with the most ridiculous transport problem I’ve had since I moved out of London and I arrive to Knoll two minutes before they start. The room is lit only by a handful of table lamps at strategic points on the stage which sets the tone for the grindcore/noise band to fully embrace their darkness. Screaming into the void is vocalist Jamie Eubanks who takes on a persona that is both engaging and aggressive. Curious noise interludes and trumpet add to the pitch black atmosphere the band create and its not until they leave the stage that the audience finally takes a collective breath.

Heading to the The Terminal and the European debut of Couch Slut and their new album being played in full, I fight through the crowds to secure a good viewing spot. You Could Do It Tonight is a hard listen, as is almost everything Couch Slut put out, with true stories being told from the viewpoint of the band and vocalist Megan Osztrosits. Appearing on stage looking like she just rolled out of bed, Megan tells us with all honesty, that’s the case. Last night they played in the skatepark and evidently the party continued well into the late hours. It doesn’t detract from the performance, however, it only enhances the filth and horror that lies underneath Couch Slut’s music and words. This afternoon the band are stark in their truth and that brutal candor brings to the surface emotions that have long been forgotten and fleeting memories of terror. It’s affecting in ways that are both blunt and fascinating, and that uncomfortable and sad feeling persists still now.

Roadburn Festival 2024 // In Review // Vol.I

April 28, 2024April 28, 2024 CherylLeave a comment

I went back and forth on whether I would write about Roadburn this year, mainly because I had no idea if I would have the motivation or the commitment to doing so once I got back home. Over the Festival weekend a few people asked and I was still leaning towards no up until the Sunday morning of the fest. It’s been quite a long time since I wrote anything substantial and even longer since I wrote about live music. However, the weekend was quite extraordinary and on Sunday morning after a strong coffee, I decided to go for it.

I got home and those feelings disappeared quite quickly. Was it worth it? To write down how I felt about several bands, how they performed and how the crowd received them? I still don’t know and yet here I am, writing about my feelings once again.

Roadburn Festival is a unique place. The atmosphere is always one of welcoming and of being open to new and interesting music. People wander in groups or alone, although there is never a feeling of being lonely in Tilburg as everyone is there for the same reason. To enjoy the bands you know and to discover the ones you don’t. I missed last year for personal (I was hella sad) reasons and so getting back into the spirit was a little harder this year. Getting up at 02:30 may have had something to do with this, yet a triple espresso on the train from Schipol to Tilburg certainly helped in boosting the energy levels.

Lamp Of Murmuur – Heir Of Ecliptical Romanticism

October 4, 2020 CherylLeave a comment

Lamp Of Murmuur – Heir Of Ecliptical Romanticism

The black metal underground has been abuzz with the name Lamp Of Murmuur for months; the enigmatic soul behind the band keeping to the shadows while those who have fallen for their music trip over themselves to tell anyone, everyone, about this incredible raw black metal act. Purportedly from North America (the bandcamp page states Olympia, Washington as their location), Lamp Of Murmuur has been steadily ramping up their output since their sudden appearance in 2019 with the demo Thunder Vigil and Ecstasy, which was followed up with a handful of other demo recordings and a split with Revenant Marquis, leading the band to this, their debut full-length, Heir Of Ecliptical Romanticism. The record is made up of new songs and a couple of re-recordings of tracks only available on out of print physical media (or YouTube if the desire should move you) and, hyperbole be damned, is incredible.

Roadburn Festival 2019 // In Confrontation // Vol. II

April 19, 2019April 22, 2019 Cheryl4 Comments

The second part of my Roadburn Festival coverage can be found below (the first part is here). Please forgive the lapses into first person narrative – it’s not something that I do very often at all but Roadburn has been a deeply personal experience each time I’ve attended and I feel that I couldn’t have taken a step back from it while writing something about it.

2018’s edition was a strange time for me; I’d moved country a few months prior and still had many unsettled feelings and that I didn’t really belong anywhere yet. The music I saw that year hit hard and seeing Bell Witch, Worship and Mizmor in one long day really took me to places I had tried not to think about. This year I feel more at home in my new country and the experience of the festival was reflected in that. I felt grief for the person I once was but also hope for what is to come. There is so much relief to be found this year, and this culminated in the Have A Nice Life performance on the main stage on Sunday – I can finally let go of my fears and embrace the future.

Roadburn Festival 2019 // In Confrontation // Vol. I

April 16, 2019April 22, 2019 Cheryl4 Comments

Beginning a review is always the most difficult part of the writing process. There are many thoughts and feelings that you want to express and so many experiences that you want to put across in the right way and your train of thought moves fluidly from one thing to the next…. but getting that down in a coherent and interesting way is something that often falls short. For a weekend spent at Roadburn Festival that process becomes ten times more difficult as experiences are not exactly in short supply and each person has their own unique take on what the city of Tilburg has given them for the four day festival run. No two people will likely have exactly the same experience of Roadburn and it’s often said by the festival team and those who have attended many times “Roadburn is what you make of it, it’s personal, it’s yours.” And that is such a true statement. This is my third Roadburn and while it’s not a festival I can claim to have been to as many times as another person…it often feels like some bands are being booked directly out of my dreams and for the thousands of other attendees this is most probably true for them. Somehow Walter gets into your mind and pulls out your musical desires and the festival becomes as much a part of you as it is for the organisers.

Bleak Metal

None more bleak.

Tag: Review