Idre – Idre

Forming in Oklahoma City, Idre are a melancholic, earthy and hypnotic entity. The former trio (now duo for the time being due to bassist Andon Whitehorn recently taking his leave of the band) are a delicious entry into the atmospheric sphere and their sound is quite difficult to pin down. Taking in elements of doom, sludge, drone and noise, even a martial beat (Nicholas Wojcik) during second track “Witch Trial”, Idre travel the path towards oblivion in many different ways yet their gloomy aura is coherent and each passage moves deftly into the next without losing track of the core of the band.

Vocals are sparse but delightfully gothic in tone with guitarist Ryan Davis adding a new sphere of darkness to proceedings with the recordings on this two track full length taking on a somewhat doomed country feeling at times – think True Widow or Earth’s latest for comparisons – and the sprawling, sculpted landscapes of sound the record conjures are truly mesmerising.

idre

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Yob + Pallbearer and Bast // The Underworld, London 08/09/14

Occasionally a live show comes along which proves to be utterly compulsory to attend. For those that miss out on said event, the jealously is all-consuming, for those who were lucky enough to grab a ticket early on, the glow of happiness is hard to ignore. One such show was Yob’s appearance in London along with the phenomenal Pallbearer (for many, the main draw) and local doomsters Bast at The Underworld in Camden.

yob tour

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Panopticon – Roads To The North

Panopticon has long been a figure on the outer limits of American black metal, a one man band with his foot on both sides of the opposing styles of contemporary black metal – the visceral nature of the genre being incredibly forthcoming on 2011s Social Disservices while the folkier elements of the scene were more present on 2012s Kentucky – both though, held much in the way of personal emotion and it’s clear that for Austin Lunn, Panopticon is an outlet for many different feelings and as such his music is a way of working through life and the odd nature of being human. Roads To The North sublimely incorporates both aspects of Panopticon but make no mistake, this record is angry, heartfelt and deeply, deeply personal.

roads to the north - cover

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Grey Widow – I

Grey Widow have been around for barely a year (members have been/are in Dopefight, Parole and Evisorax) and their debut, I, is a record that belies that freshness – although the record itself is far from clean and pure. This monolithic beast of an album is slow, sludgy and disgustingly dark. It’s huge in tone and the UK quartet have created an album of complete misanthropic intensity and an experience that is harrowing, dirty and agonising.

Grey Widow - I - cover

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Neige Morte – Bicephaale

French obscurity masters Neige Morte are adept at creating soundscapes so abhorrent that just getting through to the end of their second record is a lesson in endurance. Bicephaale doesn’t trip on the more prevalent French rawness or prettiness, instead it resides in filth and dissonance and the very dirt of the earth. “500 Jours de Haine” strips back any semblance of melody to begin the album and punish with swirling vortexes of noise. All gnashing vocals and clashing guitars and sickening drum beats – it’s truly a cacophony and the discordance is dizzying and bewildering. The echoing martial drum beat that blurs into view around fuzzy guitars and XT’s vocals allow the band to step back ever so slightly yet they never lose that forceful rhythm and desolate tone that has been built up so far.

NEIGE-MORTE_BICEPHAALE_CMYK

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Bleak Metal Presents: Caïna X Church Of Fuck

Bleak Metal is extremely honoured to present Caïna live as a full band for the very first time in their ten year history. Usually a solo project, Caïna is doing something incredibly special for the ten year anniversary of the band which will be taking place at Camden’s Black Heart on Saturday July 5.

Supporting at this event will be the Manchester based groups Esoteric Youth and Old Skin, both label mates on cult imprint Church Of Fuck and both absolutely fantastic. In addition to playing these sets, members from both acts will be a part of the live Caïna experience giving Andy Curtis-Brignell’s back catalogue the kind of atmosphere that it hasn’t been able to suffer under as yet.

The latest addition to the line up is the wonderful chaps of Harrowed who have kindly agreed to lend their frenetic energy to the evening.

Caïna X Church Of Fuck // designed by http://rdmvisuals.tumblr.com/
Caïna X Church Of Fuck // designed by Ross D McKendrick

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Woods of Desolation – As The Stars

Woods of Desolation’s incredible Torn Beyond Reason from 2011 was a definite highlight of that year and its cold, harsh soundscapes made for a record which evoked a journey into the depths of winter – quite the feat considering they’re an Australian band but one that was deftly handled and sorrow-laden in all the right places. The Woods of Desolation of 2014 is an altogether different animal, with sole member D. eschewing Tim Yatras’ (Germ, Autumn’s Dawn, ex-Austere) recognisable shriek for another voice and thus creating an atmosphere that feels considerably warmer in tone, but no less harrowing for the change.

cover

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