The Round Up Tapes // Volume XV

Devouring Star – The Arteries of Heresy

Finland’s Devouring Star plays with evil as theme but does so in less Satanic ways and rather explains that mankind itself is the ultimate embodiment of sin, that humans are the scourge and that religion is not the hopeful tenet that we have been led to believe.

The Arteries of Heresy is Devouring Star’s second full length and the person behind it all, JL, is using the band as a vessel of deliverance for personal enlightenment. There’s a sense that the evil that lurks within is one of primal matter and on “Procreation of Blood” the chaos is laid bare for all to see. Within the maelstrom are subtle grooves that can be latched on to in order to orientate oneself but for the most part the song, and the album as a whole, is an ode to embracing sin and taking it into yourself in order to fulfil your purpose on this earth.

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The Round Up Tapes // Volume X

ColdWorld – Autumn

coldworld

The eight years since ColdWorld’s debut Melancholie² has only served to increase the attention on Georg Börner’s one man project, and while the somewhat enigmatic German hadn’t outright said the band was over, the hope for a follow-up dwindled with each passing year. Melancholie²  is a record that speaks of emptiness, despair and sadness and is often deemed a starting point for anyone interested in depressive black metal. It’s by no means perfect, but the atmosphere that is captured is one of an artist using his medium to guide him through moments of anguish and with new record, Autumn, that feeling is wrought in ever more stunning ways.

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Bleak Metal Presents: Terzij de Horde with Laster and Interiors.

Bleak Metal will be hosting Terzij de Horde at Camden’s Black Heart this October 23rd for a show to celebrate the release of their debut album, Self.

Self has been many years in the making with the band first forming in 2007 under a different name. Since the switch to Terzij de Horde in 2010, the Dutch group have been slow but steady in their rise to prominence and Self marks the next stage for a band who have much more to give.

The album focuses on the problem of self. Six tracks explore different ways to live, or fail to live, with self and world. They embody the struggles these paths and strategies create: blindness, suffering, a desire for release, the destruction of self and others as well as the turning towards -or away from- life.

Self as prison, self as a source of power, self as vessel for manipulation by outside forces, self as shield and as inner world, self as medium for Dionysian rapture, self as something to be overcome.

In the six songs that constitute ‘Self’, the rage of black metal is paired with a cathartic destruction as well as a contemplative, sometimes crawling melancholy. Instead of navel gazing or the worship of constructs, ‘Self’ is analysis forced. A cerebral celebration of liberation at all costs and a requiem for spheres rendered apart.

Terzij_de_Horde_2

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The Round Up Tapes // Submission Edition

Often I have bands send me a nice email asking if I’d like to hear some music. I like that, I like hearing new things that I may not have found otherwise. Sometimes I have bands who I have been in touch with previously send me something they think I might like. And I like that too. What I don’t like is when I take forever to write something about those bands. Life is busy and I don’t do enough on here. The Round Up Tapes this time is five bands who have submitted themselves, or have been submitted by someone I have dealt with before. Enjoy!

Barbelith – Mirror Unveiled

barbeith

Baltimore’s Barbelith attack black metal with a sly atmospheric tone that creeps beneath their otherwise harsh sounds and lifts their music into the more intriguing category of USBM. The band are raw where it counts and beautiful where it matters with Mirror Unveiled flowing from fast, staggering black metal to gorgeous arrangements of softer movements that layer the epic “Astral Plane” from beginning to end in light and shade. Harrowing screams from Barbelith’s frontman stand against the darkness and encompass the anguish that is held within their walls of sound. Highly recommended.

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The Round Up Tapes

I like to makes lists. So many lists. My “to do” list is, quite frankly, massive. I thought that instead of trying to do twenty individual reviews that would take approximately one million years, that perhaps once a month I would collect together a few cool little releases that have come my way and talk about them and why they are good. A lot has happened this year (mostly bad, some good) so it would save my sanity because there are not enough hours in the day to do everything that needs doing.

And so, The Round Up Tapes are born. Hat tip to Opeth because I made a play on a name of a release of theirs. I hope that’s cool?

Ainulindalë – Nevrast

Ainulindalë

Nevrast is a gorgeous, folky and affecting record from the French project Ainulindalë which is centred around Tolkein’s universe and heavily influenced by The Silmarillion. Ainulindalë’s sound is comprised of dark elements that contrast with lighter, sunnier currents that shine through the acoustic progressions of sole member Engwar’s guitar and his voice which carries with it a gorgeous tone that embraces the subtleties of his music and wraps it in warmth and soul. Nevrast incorporates simple movements that link together to create a work that ebbs and flows with a tender grace while Engwar’s vocal layers over majestic strings to lift tracks to a higher plane of beauty. The title track dips into choral lines that slowly build to a brass and a female voice that shimmers with light over the shadows created by the words of Engwar.

Nevrast moves with a refined style that genuinely moves and breathes with a deep-rooted love and knowledge of J.R.R. Tolkein’s work and never comes across as cliché or overwrought. The emotion is honest and the music breathtaking.

Nevrast can be purchased via bandcamp.

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