The Round Up Tapes // Thrill Jockey Edition

If you’ve been reading Bleak Metal for a while (in which case, wow, thank you) then you may remember my End of Year list from, well, the end of last year. Now, I spoke a lot there about how terrible 2013 had been in a lot of respects, the biggest being that pretty soon I would be out of a job. That happened, and it sucked but y’know, I’m so bloody glad about it. Because losing that job meant that I got to do something hecka cool this summer – I went to America and attended Gilead Fest. And holy crap, it was brilliant. At that festival I saw friendly internet faces, bands I never thought I’d get to see (two of which I will talk about below) and I saw up close the passion and commitment that one of my favourite labels has for the community. I reviewed the event for Subterranea/Metal Hammer and you can see it here.

I also met some lovely people, two of whom were Bettina and Jonathan from Thrill Jockey Records who then put me in touch with Ken from the UK side. Since then Ken has sent some excellent works, a few of which I will now talk about because no one wants to hear me bang on about myself and the music is much more interesting.

Hit more for more!

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Dark Fortress + Secrets of the Moon and Schammasch // The Underworld, London 20/10/14

It’s no secret that one of my favourite discoveries this year has been Swiss band Schammasch – after being sent the record to review (which still isn’t done, oops) and then creating a snazzy two page feature on the band for Subterranea, it was pretty darn exciting to hear that they would be heading out on tour with Dark Fortress (another band who have released an incredible record this year) and German legends Secrets of the Moon. All three bands bring something different to the blackened table and to hear them play off and against each other on The Underworld’s stage is quite the treat indeed.

dark tour

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The Round Up Tapes

I like to makes lists. So many lists. My “to do” list is, quite frankly, massive. I thought that instead of trying to do twenty individual reviews that would take approximately one million years, that perhaps once a month I would collect together a few cool little releases that have come my way and talk about them and why they are good. A lot has happened this year (mostly bad, some good) so it would save my sanity because there are not enough hours in the day to do everything that needs doing.

And so, The Round Up Tapes are born. Hat tip to Opeth because I made a play on a name of a release of theirs. I hope that’s cool?

Ainulindalë – Nevrast

Ainulindalë

Nevrast is a gorgeous, folky and affecting record from the French project Ainulindalë which is centred around Tolkein’s universe and heavily influenced by The Silmarillion. Ainulindalë’s sound is comprised of dark elements that contrast with lighter, sunnier currents that shine through the acoustic progressions of sole member Engwar’s guitar and his voice which carries with it a gorgeous tone that embraces the subtleties of his music and wraps it in warmth and soul. Nevrast incorporates simple movements that link together to create a work that ebbs and flows with a tender grace while Engwar’s vocal layers over majestic strings to lift tracks to a higher plane of beauty. The title track dips into choral lines that slowly build to a brass and a female voice that shimmers with light over the shadows created by the words of Engwar.

Nevrast moves with a refined style that genuinely moves and breathes with a deep-rooted love and knowledge of J.R.R. Tolkein’s work and never comes across as cliché or overwrought. The emotion is honest and the music breathtaking.

Nevrast can be purchased via bandcamp.

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Saor – Aura

Saor aren’t an entirely new prospect, having began life in 2012 as Àrsaidh, yet Aura is a significant step up from the debut Roots and an incredible testament to learning, growing and becoming better. On Aura, sole member Andrew Marshall takes everything he has and creates a record of constant movement and power while also staying true to the roots of the band and being essentially, a lovesong to his homeland of Scotland.

This time around, Marshall allows other musicians to mark their mark on his sounds and Aura features performances from Panopticon’s Austin Lunn on drums and violin/strings are provided by the hardest working player in the business, Johan Becker. The traditional elements of the music are still in place yet everything seems so much more solid, rounded and thought out. That’t not to say that Roots wasn’t an exceptional record, but that time is a glorious thing and Aura benefits from it immensely.

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Panopticon – Roads To The North

Panopticon has long been a figure on the outer limits of American black metal, a one man band with his foot on both sides of the opposing styles of contemporary black metal – the visceral nature of the genre being incredibly forthcoming on 2011s Social Disservices while the folkier elements of the scene were more present on 2012s Kentucky – both though, held much in the way of personal emotion and it’s clear that for Austin Lunn, Panopticon is an outlet for many different feelings and as such his music is a way of working through life and the odd nature of being human. Roads To The North sublimely incorporates both aspects of Panopticon but make no mistake, this record is angry, heartfelt and deeply, deeply personal.

roads to the north - cover

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Neige Morte – Bicephaale

French obscurity masters Neige Morte are adept at creating soundscapes so abhorrent that just getting through to the end of their second record is a lesson in endurance. Bicephaale doesn’t trip on the more prevalent French rawness or prettiness, instead it resides in filth and dissonance and the very dirt of the earth. “500 Jours de Haine” strips back any semblance of melody to begin the album and punish with swirling vortexes of noise. All gnashing vocals and clashing guitars and sickening drum beats – it’s truly a cacophony and the discordance is dizzying and bewildering. The echoing martial drum beat that blurs into view around fuzzy guitars and XT’s vocals allow the band to step back ever so slightly yet they never lose that forceful rhythm and desolate tone that has been built up so far.

NEIGE-MORTE_BICEPHAALE_CMYK

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Bleak Metal Presents: Caïna X Church Of Fuck

Bleak Metal is extremely honoured to present Caïna live as a full band for the very first time in their ten year history. Usually a solo project, Caïna is doing something incredibly special for the ten year anniversary of the band which will be taking place at Camden’s Black Heart on Saturday July 5.

Supporting at this event will be the Manchester based groups Esoteric Youth and Old Skin, both label mates on cult imprint Church Of Fuck and both absolutely fantastic. In addition to playing these sets, members from both acts will be a part of the live Caïna experience giving Andy Curtis-Brignell’s back catalogue the kind of atmosphere that it hasn’t been able to suffer under as yet.

The latest addition to the line up is the wonderful chaps of Harrowed who have kindly agreed to lend their frenetic energy to the evening.

Caïna X Church Of Fuck // designed by http://rdmvisuals.tumblr.com/
Caïna X Church Of Fuck // designed by Ross D McKendrick

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Woods of Desolation – As The Stars

Woods of Desolation’s incredible Torn Beyond Reason from 2011 was a definite highlight of that year and its cold, harsh soundscapes made for a record which evoked a journey into the depths of winter – quite the feat considering they’re an Australian band but one that was deftly handled and sorrow-laden in all the right places. The Woods of Desolation of 2014 is an altogether different animal, with sole member D. eschewing Tim Yatras’ (Germ, Autumn’s Dawn, ex-Austere) recognisable shriek for another voice and thus creating an atmosphere that feels considerably warmer in tone, but no less harrowing for the change.

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