The Round Up Tapes // 2014 Was Bleak Edition

This third edition of The Round Up Tapes features a couple of records I really enjoyed this year that are particularly bleak in sound and/or aesthetic. Because that’s the MO of this blog and who doesn’t like to feel bleak now and then?

Black Autumn – Losing The Sun

RWE006

Black Autumn have been featured on Bleak Metal once before, when the wonderful The Advent October was released at the beginning of 2013. That EP was very much a favourite of last year and so when a full length arrived, excitement abounded. Losing The Sun follows its predecessor in that the melancholy rhythms and soft touches of light filter through the darkness of the sound, yet the record also steps up and forward in terms of the emotional response that is elicited from the listener.

“Losing The Sun” begins the album with huge, sweeping guitar movements that give way to M. Krall’s rasping voice and echoing passages that create a tangible sense of deep, mournful regret. The softer edges of this first track are soon ravaged by the harsh tones of “St Elm’s Fire” that signal its approach. Those hard moments are countered by sorrowful guitar lines that cascade into the song and lift it past just being a wallowing, sadness-filled pit of despair and instead into music that  provokes and intrigues.

This one man project brings much to the black metal table in the music that is created as Black Autumn. Gorgeous instrumentation moves across the work as a whole with the piano sections in particular giving a stately grace to “From Whence We Came” and in turn the song breathes with a measured acceptance that the journey is full of pain and heartache. The electronic pulses of “The Distance” shows that much beauty can be found in utter desolation and Black Autumn is a project for which this adage rings wholly true.

Losing The Sun, along with the Black Autumn catalogue, can be found on bandcamp.

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Idre – Idre

Forming in Oklahoma City, Idre are a melancholic, earthy and hypnotic entity. The former trio (now duo for the time being due to bassist Andon Whitehorn recently taking his leave of the band) are a delicious entry into the atmospheric sphere and their sound is quite difficult to pin down. Taking in elements of doom, sludge, drone and noise, even a martial beat (Nicholas Wojcik) during second track “Witch Trial”, Idre travel the path towards oblivion in many different ways yet their gloomy aura is coherent and each passage moves deftly into the next without losing track of the core of the band.

Vocals are sparse but delightfully gothic in tone with guitarist Ryan Davis adding a new sphere of darkness to proceedings with the recordings on this two track full length taking on a somewhat doomed country feeling at times – think True Widow or Earth’s latest for comparisons – and the sprawling, sculpted landscapes of sound the record conjures are truly mesmerising.

idre

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Yob + Pallbearer and Bast // The Underworld, London 08/09/14

Occasionally a live show comes along which proves to be utterly compulsory to attend. For those that miss out on said event, the jealously is all-consuming, for those who were lucky enough to grab a ticket early on, the glow of happiness is hard to ignore. One such show was Yob’s appearance in London along with the phenomenal Pallbearer (for many, the main draw) and local doomsters Bast at The Underworld in Camden.

yob tour

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Grey Widow – I

Grey Widow have been around for barely a year (members have been/are in Dopefight, Parole and Evisorax) and their debut, I, is a record that belies that freshness – although the record itself is far from clean and pure. This monolithic beast of an album is slow, sludgy and disgustingly dark. It’s huge in tone and the UK quartet have created an album of complete misanthropic intensity and an experience that is harrowing, dirty and agonising.

Grey Widow - I - cover

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Northumbria – Black Sea of Trees

You may remember that a few months ago I posted a review of a lovely record by a band named Northumbria. If you don’t, click here and you can see it and enjoy it perhaps.

Northumbria have a music video streaming and the title of the track is “Black Sea of Trees”. It’s really wonderful and you’d be doing yourself a favour by checking it out. I have included it below so all you need to do is press play. Minimal effort ist krieg. I hope you enjoy it as much as I do.

Nonsun – Good Old Evil

Nonsun are a two-piece from Lviv in Ukraine and they deal in crushing tones of doomed out sludge and droned atmospheres of wondrous heaviness. Having emailed me way back in Janauary (sorry), Nonsun definitely piqued my interest and I’ve been meaning to get around to this for three months nearly. I am a terrible person and for that, I apologise.

Nonsun - Good Old Evil - Cover
Goatooth – Guitar, Bass, Vocals, Keys
Alpha – Drums

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Ecocide – When Will It End?

San Antonio based Ecocide have sadly split up (an event which occurred some time ago), but to continue their legacy Tofu Carnage Records are set to press a collection of previously unreleased material on vinyl. Four tracks of powerful and driven sludge make up this new compilation and show that Ecocide are certainly going to be hugely missed on the crust sludge scene. Blackened choruses showcase a knack for melody and deep growls of utter contempt permeate the oppressive atmosphere of When Will It End? with rage and outright disgust at the horrors of the modern world.

Their first and self titled LP was an important record in terms of message and action, and it’s a huge shame that Ecocide will no longer continue. Their history and legacy will live on though, through When Will It End? which is a huge and heavy work, and one that consistently reveals new layers of sound and tone through repeated listens.

Ecocide - When Will It End - Cover

Heidi – Violin and Vocals, Brian Gordon – Guitar, Nick – Guitar, Brian Slaughter – Bass, Elliott – Drums

1. Despair
2. Pain
3. When Will It End?
4. Barren

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