Submission Edition Volume VIX

August 29, 2021August 29, 2021 CherylLeave a comment

A Sea of Dead Trees – Garmonbozia

A Sea of Dead Trees is a vehicle for pain and depression; the voice with which sole member Robert Heath channels their deepest thoughts and anxieties, hopeless nights and endless days which merge into one blurry passage of unknown time. Heath does not shy away from the intensity of depression and the intrusive thoughts that can enter the mind as though a voice from another dimension. Here, A Sea of Dead Trees winds haunting and oftentimes soft vocals into songs that would otherwise have been instrumental narratives of a life lost to pain.

The Round Up Tapes // Submission Edition Volume VIII

July 10, 2021July 10, 2021 CherylLeave a comment

Gonemage – Mystical Extraction

After the release of Cara Neir’s Phase Out in February band member Garry Brents (here known as Galimgim) sought to expand on that already well-rounded universe by creating an offshoot to the story, a side-quest if you will, to explore further what happened when their characters were glitched into a land where video games rule (the lore is explained much more succinctly on their bandcamp pages). Mystical Extraction is a work of bizarre electronic pulses, chiptune, black metal, melody and fantasy and it is clear that Gonemage are deeply in love with their subject matter.

“Chained Castle” is a furiously screamed song of wonder – Who am I? Where am I? – and Brents’ voice is a spark in the darkness, whether that’s during rage-fuelled cries or the subtle clean harmonies that peek through towards the end. “Dust Merchant” also utilises those clean lines to bring new dimensions to this character – much like “Shady Blades” on Phase Out which allows the music to exist in the same universe while also standing on its own. This screamo influenced direction is one which Gonemage settles into often and as the music gets more aggressive, then the vocals become more beautiful and melancholic — it’s a wonderful shift in texture and Mystical Extraction is all the better for it.

The Round Up Tapes // Submission Edition Volume VII

June 7, 2021June 7, 2021 CherylLeave a comment

Firstly, I would like to apologise to all of the artists who feature in this edition of The Round Up Tapes. My desire to write has been tempered by life of late and finding the time or even the energy to sit down and form coherent thoughts on music has been something that has been lacking over the last six months or so. I listen to everything that people send me, but I often forget to reply or even miss emails as they fall in the spam folder only to be found several weeks later. I try extremely hard to not be rude but my memory is not the best.

Without further ado, here is the seventh volume of record submissions that have found their way to me.

Asenath Blake – Zoëtic Songs

Zoëtic Songs marks the second foray into the underground of Welsh artist Asenath Blake, who creates a sound that lies where the occult and black metal intersect. Taking inspiration from Austin Osman Spare and Arthur Machen, as well as others well versed in magick, Blake uses her music to channel another world which dances on the fringes of the fire that makes up much of this second EP.

Opening on “Yelda Paterson’s Teachings,” Blake immediately presents a sound that is raw and primeval. Her voice is mixed into synthesised lines and radiant textures that call to mind the sound of post-black metal, yet the music is somewhat removed from that sub-genre in its manic vocal delivery that is affected by unknown power, possessed by the other that has been evoked by the spells and witchcraft that lie at the heart of Zoëtic Songs.

The Round Up Tapes // Submission Edition Volume VI

April 4, 2021June 7, 2021 CherylLeave a comment

Burden – Burden

Burden

There is something quite charming about Burden and their atmospheric and doomed black metal. It could be the intriguing use of accordion which gives the music that rustic, old world aura that many medieval style bands lean towards. It could be the spooky synthesisers that add dimension and soaring notes to songs that are otherwise dark and doomy and it could also be the rough production that shows that this is a band still finding their way and trying to make their music heard is more important that it sounding shiny and clean. It all adds up to a record that is a captivating debut and one that shows enough promise to keep you engaged.

The Round Up Tapes // Submission Edition Volume V

January 24, 2021 CherylLeave a comment

Dawnwalker – Ages

The rich, grandiose opening of “Melekh” sets Ages on a journey of discovery as the initial steps of the record move in rising waves of sound that ushers in visons of dark clouds stretching across the horizon to bring forth a storm. Of course, there is a calm that precedes the tumult and “The Wheel” does much to settle the nerves for what the future may bring with its gentle progressive melodies and beautiful clean vocal lines. However, as the song progresses through its eleven-minute runtime, the vocals become darker and jagged and the music turns into a foreboding weight. This is a theme which runs throughout the record and enables Dawnwalker to structure their songs as singular narratives that speak of change and memories lost to time, while the record contains an overarching story that pays homage to long forgotten rites and the descent of the world into darkness.

The Round Up Tapes // Submission Edition Volume IV

December 14, 2019March 30, 2020 CherylLeave a comment

The Fifth Alliance – The Depth of the Darkness

The Fifth Alliance hail from The Netherlands and their sound is one of blackened edges – black metal, doom and sludge all feature – and this amalgation of influences makes for an intriguing and harrowing journey into darkness. Silvia Saunders vocals range from gorgeous, mournful cleans to deep, guttural roars and it’s this stark contrast that gives The Fifth Alliance a stunning lead over others in the post-black metal genre. Opening the album is “Black,” a song which begins on slow, deliberate strikes of guitar and simple drum patterns before Silvia’s voice winds through the instrumentation on soft, haunting clean lines that evokes melancholy. Slowly, the song starts to build towards something more monolithic and the drums pound a more urgent beat and guitars ramp up their own tension behind the serenity of the vocals. Of course, such peace is not built to last and soon the song flips its MO entirely, becoming a blackened and raging act of defiance. Vocals are switched to harsh shouts and the black metal influences are given space over the doomier initial steps of the song.

The Round Up Tapes // Submission Edition Volume III

February 17, 2018June 6, 2019 Cheryl1 Comment

The Round Up Tapes is generally a “hey, I liked this and maybe you will, too,” kind of deal, but sometimes I get sent albums that I may not have come across otherwise – the world of music is huge, of course, and hearing everything is nigh on impossible. With that in mind here are three debut records that were sent my way recently that I enjoyed and perhaps you will too. They all encompass metal in various ways – whether it’s the more straightforward black metal of Bleakwood, or the melancholy of Dawnwalker or the doomed passages from STAHV – but all of the music featured here is passionate and worth your time.

Bleakwood – Solypsis

The Round Up Tapes // Submission Edition Volume II

February 20, 2015December 11, 2019 CherylLeave a comment

That whole thing where I promised to be more active with this kinda failed but here’s a couple of cool releases that you might find interesting.

Circaic – False Prophetic Roads

If you like huge, technical death metal with a side of melody then Circaic might be the band for you. Melding the darkness with the light isn’t a new tactic, but Circaic’s stab at melodic death metal is solid and will see them on their way to something bigger. False Prophetic Roads still has a hint of immaturity about it – some sections in the opening track “The Spewing of Venom” don’t quite hit the mark or flow as well as they could with the kind of cohesion you’d want to hear – but the young band have something here to be worked on and occasionally there’s a little hint of what that could be.

You can hear some tracks from False Prophetic Roads on their bandcamp page.

Bleak Metal

None more bleak.

Category: Submission Edition