Barshasketh // In Conversation

Last month found The Round Up Tapes exploring Barshasketh’s newest record, Barshasketh, and further to that study a conversation with Krigeist and GM was had. Below are the results of that conversation which was conducted via email.

For those not familiar, what is the history of Barshasketh? How did the band come together and how has the geographical distance that now exists affected the way the band works?

Barshasketh started off as Krigeist’s solo project over a decade ago. After he relocated to Edinburgh in 2010, he set about piecing together a lineup from local musicians, initially strictly for the purpose of playing live shows, but in time some of these live members were made permanent. Unfortunately, just as we were settling on a stable lineup, Krigeist ended up having to leave the UK in 2014 as his visa was revoked and BH, our drummer at the time, ended up leaving the band due to some rather unfortunate family issues. Undeterred by these logistical challenges, we continued to work on our music remotely and replaced BH with MK. We simply fly in members and plays shows with very minimal or non-existent preparation- as crazy as this arrangement seems, it actually works surprisingly well thanks to the discipline and dedication of each of our members in preparing the material individually.  

As it stands we’re spread across three different countries, and no two members are even based in the same city. Although it’s not always easy to do what we do, as long as we feel we’ve got something to say as a band, we’ll find a way of making things work.

Photography: Porta Atra

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The Round Up Tapes // Volume XVI

Barshasketh – Barshasketh

Originally a one-man band from New Zealand, founding member Krigeist’s relocation to Scotland brought new opportunities to enhance his music and after session members and live line-ups were solidified, Barshasketh began to take the form that we see today on their fourth full-length, Barshasketh. Stripping back their sound to that of their early days, Barshasketh are reclaiming the essence of black metal and while their music isn’t breaking down barriers or smashing genre lines, the expertise and musicianship on display here is more than solid and definitely worth multiple listens.

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Devouring Star // In Conversation

Last month found The Round Up Tapes exploring Devouring Star’s The Arteries of Heresy and further to that study a conversation with Devouring Star’s founder, JL, was had. Below are the results of that conversation which was conducted via email.

Photography: Porta Atra

What was the driving force behind creating Devouring Star? What does the name mean to you?

The driving force on creating Devouring Star was the necessity for a creative platform for my concepts, it comes down to the simple fact that music was the only way of expressing these things for me and metal music in particular due to the fact that I am and was fond with it.

The name ‘Devouring Star’ is a reference to a black hole, yet it is also a metaphor for something that consumes yourself ultimately.

Do you see Devouring Star becoming an all-consuming part of your life or are you able to separate that side of yourself from the world?

No matter what, life itself is as boring as it is for everyone else, no mysticism required here. We eat, we shit, we sleep. So naturally Devouring Star isn’t a part of the daily routines. However the concepts in Devouring Star present my personal beliefs in such a way, that it is always a part of me and it is something that is separated from me unto music. Back in 2013 when Devouring Star started, has however affected my life dramatically.

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The Round Up Tapes // Volume XV

Devouring Star – The Arteries of Heresy

Finland’s Devouring Star plays with evil as theme but does so in less Satanic ways and rather explains that mankind itself is the ultimate embodiment of sin, that humans are the scourge and that religion is not the hopeful tenet that we have been led to believe.

The Arteries of Heresy is Devouring Star’s second full length and the person behind it all, JL, is using the band as a vessel of deliverance for personal enlightenment. There’s a sense that the evil that lurks within is one of primal matter and on “Procreation of Blood” the chaos is laid bare for all to see. Within the maelstrom are subtle grooves that can be latched on to in order to orientate oneself but for the most part the song, and the album as a whole, is an ode to embracing sin and taking it into yourself in order to fulfil your purpose on this earth.

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The Round Up Tapes // Volume XIII

Cavernlight – As We Cup Our Hands and Drink From the Stream of Our Ache

Cavernlight’s debut is a record wrought with absolute despair and in the five passages that make up this work, there is no hope to be found. The members are clear in their utter desperation and in As We Cup Our Hands and Drink From the Stream of Our Ache there is almost a willingness to revel in that sadness, to let it be all-consuming and to allow it to take over. Some doom holds a little light but for this Oshkosh band there is nothing at the end of the tunnel. For a debut, As We Cup Our Hands… is extremely assured; the themes run beautifully throughout and the differing elements are brought together succinctly to create a palette of darkness. Doom is the key but noise, ambient and abstract tones filter through the shadows to build an aura of claustrophobia that is unrelenting in its scope.

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The Round Up Tapes // Volume XI

Dodecahedron – Kwintessens

Dutch avant-horror group Dodecahedron are back after a seemingly eternal wait for their follow-up to the incredible Dodecahedron from 2012. Using their time wisely, the quintet have dredged another terrifying prospect from the depths and in Kwintessens they have a record that moves their avant-garde black metal ever further into the realms of chaos.

“Prelude” forces you directly into the abyss with frenetic beats and jarring guitars vying for space in the heat surrounding echoing voices and industrial machinations before “TETRAHEDRON – The Culling Of The Unwanted From The Earth” whirls into view on discordant rhythms and off-kilter attacks. M. Eikenaar’s vocals are guttural and filled with spite, his approach one of total hatred and in line with the despair that echoes throughout the music, which often turns on its own head and becomes increasingly more claustrophobic as time progresses.

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The Round Up Tapes // Volume X

ColdWorld – Autumn

coldworld

The eight years since ColdWorld’s debut Melancholie² has only served to increase the attention on Georg Börner’s one man project, and while the somewhat enigmatic German hadn’t outright said the band was over, the hope for a follow-up dwindled with each passing year. Melancholie²  is a record that speaks of emptiness, despair and sadness and is often deemed a starting point for anyone interested in depressive black metal. It’s by no means perfect, but the atmosphere that is captured is one of an artist using his medium to guide him through moments of anguish and with new record, Autumn, that feeling is wrought in ever more stunning ways.

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The Round Up Tapes // Volume IX

Deathspell Omega – The Synarchy of Molten Bones

deathspell

Originally scheduled for release on November 8th, the extremely reclusive and mysterious sect of Deathspell Omega uploaded the record to bandcamp late on Halloween evening (or afternoon depending on your timezone) sending their fans into a rush to listen and consume. Having not released any new music for four years, and announcing The Synarchy of Molten Bones with little fanfare or warning, the stealth tactics used by the French band suit their style – both in sound and in action. Chaos reigns on this first full length since 2010 and in bringing forth utter destruction, the band call upon the unholy in order to move through and explore the outer limits.

Deathspell Omega’s brand of black metal is one that is often imitated – a discordant array of sounds meld into one swirling vortex that is difficult to pierce on first glance – but never bettered. It’s easier to allow the music to sink into your bones and truly become one with the mind than try to find an entry point in the chaos and that’s something that has established DsO as true masters of their field.

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