The Round-Up Tapes // Volume XXII

Atramentus – Stygian

Atramentus

Stygian is vast, bleak, draped in ice and layered with loneliness. Beautiful on its stark and cold voyage from dying embers of Autumn to the eroding ice of Winter. A novel in the guise of funeral doom and a story that brings with it a sense of hopeless dread; the sun has long since died and the world is covered with deep swathes of snow. Our protagonist must find their way through the curse of immortality and live with the knowledge that all they know is dead and buried and their own quest will never cease to end.

Atramentus formed in 2012 after Philippe Tougas (also of Chthe’ilist) walked for hours in sub-zero temperatures, giving birth to the final track on Stygian on his return home and creating the impetus to bring the band to life. However, this took some time and it wasn’t until 2018 that a line-up was secured and their debut could be recorded. For Atramentus this long process was necessary as their music is as deep and rich as it steeped in the echelons of winter; the two “main” songs are bridged with a sombre instrumental passage – “Stygian II: In Ageless Slumber (As I Dream in the Doleful Embrace of the Howling Black Winds)” that links the ebbing warmth of autumn to the overarching frost of winter.

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Roadburn Festival 2019 // In Confrontation // Vol. II

The second part of my Roadburn Festival coverage can be found below (the first part is here). Please forgive the lapses into first person narrative – it’s not something that I do very often at all but Roadburn has been a deeply personal experience each time I’ve attended and I feel that I couldn’t have taken a step back from it while writing something about it.

2018’s edition was a strange time for me; I’d moved country a few months prior and still had many unsettled feelings and that I didn’t really belong anywhere yet. The music I saw that year hit hard and seeing Bell Witch, Worship and Mizmor in one long day really took me to places I had tried not to think about. This year I feel more at home in my new country and the experience of the festival was reflected in that. I felt grief for the person I once was but also hope for what is to come. There is so much relief to be found this year, and this culminated in the Have A Nice Life performance on the main stage on Sunday – I can finally let go of my fears and embrace the future.

Thou performing at Roadburn Festival 2019 – by Cheryl Carter

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Roadburn Festival 2019 // In Confrontation // Vol. I

Beginning a review is always the most difficult part of the writing process. There are many thoughts and feelings that you want to express and so many experiences that you want to put across in the right way and your train of thought moves fluidly from one thing to the next…. but getting that down in a coherent and interesting way is something that often falls short. For a weekend spent at Roadburn Festival that process becomes ten times more difficult as experiences are not exactly in short supply and each person has their own unique take on what the city of Tilburg has given them for the four day festival run. No two people will likely have exactly the same experience of Roadburn and it’s often said by the festival team and those who have attended many times “Roadburn is what you make of it, it’s personal, it’s yours.” And that is such a true statement. This is my third Roadburn and while it’s not a festival I can claim to have been to as many times as another person…it often feels like some bands are being booked directly out of my dreams and for the thousands of other attendees this is most probably true for them. Somehow Walter gets into your mind and pulls out your musical desires and the festival becomes as much a part of you as it is for the organisers.

Thou performing at Roadburn Festival 2019 – by Cheryl Carter

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The Round Up Tapes // Volume XVII

Sinmara – Hvísl Stjarnanna

Iceland’s black metal scene is one full of creativity and unique sounds and Sinmara are but one part in a much larger group of musicians who make music so unlike other current black metal that the small country is now home to some of the most interesting projects around. While the Icelandic sound is different to most modern black metal it’s still difficult to pinpoint exactly what it is that makes it so intriguing. Is it the vast, desolate landscapes of their home country? The pitch black darkness or blinding sun of the most extreme times of the year? The remoteness of their locale giving rise to untainted ideas and themes? It could be all of those things or none of those things but Sinmara are one of the trailblazers of a scene that is so revered that it became one of Roadburn Festival’s commissioned projects at the 2018 edition (although Sinmara members were not a part of this performance, many of their contemporaries were).

Sinmara’s second full length builds on 2014s Aphotic Womb and 2017s EP Within The Weaves of Infinity plays a large part in informing the melodic structures of this new record – Sinmara do not shy away from creating moments of great beauty within their chaos and many songs are deceptively harmonious at times. The dissonance of “Mephitic Haze” is tempered by Ólafur Guðjónsson rasping vocals and guitars that suddenly soar on high, rich notes that create passages of utter elegance.

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The Round Up Tapes // Volume IX

Deathspell Omega – The Synarchy of Molten Bones

deathspell

Originally scheduled for release on November 8th, the extremely reclusive and mysterious sect of Deathspell Omega uploaded the record to bandcamp late on Halloween evening (or afternoon depending on your timezone) sending their fans into a rush to listen and consume. Having not released any new music for four years, and announcing The Synarchy of Molten Bones with little fanfare or warning, the stealth tactics used by the French band suit their style – both in sound and in action. Chaos reigns on this first full length since 2010 and in bringing forth utter destruction, the band call upon the unholy in order to move through and explore the outer limits.

Deathspell Omega’s brand of black metal is one that is often imitated – a discordant array of sounds meld into one swirling vortex that is difficult to pierce on first glance – but never bettered. It’s easier to allow the music to sink into your bones and truly become one with the mind than try to find an entry point in the chaos and that’s something that has established DsO as true masters of their field.

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Bleak Metal Presents: GOLD w/Bast // Shrines // Grave Lines

It’s been a little quiet on the Bleak Metal front of late, but fear not! Live music is on the way and heck, it’s free! In association with Old Empire  and The Black Heart, a night is planned on October 29th that brings together all that is spooky and esoteric – a great Halloween combination.

Live music will be upstairs and downstairs will host a party until super late. GOLD are heading over for the evening from the Netherlands and a whole heap of local talent makes up the rest of the line up. Bast (who are hopefully showcasing new sounds), Shrines (a deliciously avant-garde project) and Grave Lines (a new prospect but one that is on the up).

Entry is free! But the capacity of the live space tops out at 150. Music will start at 8pm. Costumes are encouraged.

It’s been roughly three years since Bleak Metal’s first ever show, and this could be the last so come hang.

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